This piece explores the moment of transition between the non-physical and the manifest. The monochromatic striped base represents a realm of non-matter, a void of frequency and potential. From this binary foundation, the works executes an axonometric shift, projecting two-dimensional logic into three-dimensional space. The central structure emerges not as a random occurrence, but as a calculated manifestation of geometry and chromatic weight. By utilising parallel projection rather than traditional perspective, the piece suggests a reality that is objective and infinite, where matter is simply a specific vibration of color rising from the void, a study of how order is born from the abstract.